■ Interview• The cry of Noh feel what primitive (primitive) heart was trembling
- "Between" the ability gives us a variety of ideas
Dance is going into divided in my body journey
Rhythm is a difference between drifting by the country and the city, the feeling of the body is changed
■ profileBorn in 1973, Italy Vicenza City born. Learn ballet at a local from the 8-year-old, Monte Carlo City Grace queen dance classic Academy and Lausanne, Switzerland of Rudora Bejart school, learn more in such as Monte Carlo City Academy music school Ranieru Ⅲ. Then, Bejart Ballet Lausanne, worked as a dancer and choreographer, etc. Lyon Opera Ballet. In 2001, he announced the work at Kanamori Yuzuruya Sawako Iseki et al with Kishin Shinoyama studio in the "11322 project". Since September 2003, he started working as a freelance artist based in Tokyo. Shibuya resident.
The Cerulean Tower Noh theater, performances of Noh and Kyogen representative of the Japanese classical performing arts have been made. Noh and Kyogen performances in this Noh theater, is currently in Italy born was Ferris is Alessio Silvestrin's dancer-choreographer to work as based in Tokyo. Mr. Alessio has been working the classic dance in the field of contemporary dance, which was the backbone, February 28, 2009, in Cerulean Tower Noh theater is on March 1, show a mix of ability and classic dance "Triple Bill choreographed and performed by the "" is planned. In that Alessio's eyes, Noh and Kyogen, how to find it or was reflected.
- Please let your impressions of Noh and Kyogen.
Than "Ryohasu (Roren)". Itinerant priest (Ukon Miyake) is host (Miyake Miginori) scene shooting and Seiichiro Tsujii that shaved head
Since the advance was reading the synopsis, roughly of the story was found. Story of Noh "greed" that hunter that officiousness that was poaching has been submerged in the sea, was overlap in the story in the Old Testament that Adam and Eve would eat the apple. Does not mean you understand all of the Japanese, I heard there is a place you do not hear in Japanese because it is a classic. However, even in the theater of opera, than hear the words, because it focuses on the relationship of the music and the story, I do not feel much of a problem in the neighborhood. In fact, there is also that he has been involved in music production, flute and drums, was very attracted the interest further, such as to the cry of the bargain. In particular, the cry of Noh, my heart seemed to tremble very feel what primitive (primitive).
- For Japan's classical performing arts such as Noh and Kyogen, have any kind of impression do.
When trying to fix in words, absolutely, it is a difficult question because the deviation between the fact that I feel in my mind is will occur. However, I think that Noh and Kyogen is no doubt one of the most valuable classical performing arts transmitted to the modern. Centuries even in that previous life style has been passed down as it is, I think we can be said that part of the Japanese history. To people of various nationalities as a world heritage I think to have an interest, I think that would be a good opportunity to better understand Japan.
- I've heard that there is a thing that incorporates elements of Noh in the effect of classical ballet.
When was the choreography of Brazilian Ballet Company, in a soft flow, it has interwoven the time of tension with an awareness of "between" of Noh. Ability, even in every theater, I think that it is characteristic of the use of time. Instead of adding the time, do you say that put a value on that draw. Because it is very abstract, can not be represented in the pretty words, but "between" the ability to gives us a variety of ideas, it may bring the effect did not sometimes imagine.
- Do you remember that when viewed for the first time performance.
Has a strong interest in capacity from the previous visit to Japan, was able to actually watch did during the seven years prior to the Tokyo trip. At that time, the memory that has received a strong impression, such as those before the great monuments transmitted from ancient times though is, also revives the vivid now. Not only to me, if there is a chance that Europeans see the ability in real Noh theater, we are confident that it would be surely intense and pure shock.
- Thing is never watched Noh Japanese often, how do you feel.
Certainly, I've never watched the performance, or you may meet the Japanese that only watching one-time with the feeling like foreigners. However, precisely because there is a certain audience, because of continues even ability is played in modern times is the fact, is whether or not all of the Japanese carry your feet on the Noh theater, is not a very big problem. In fact, when I visited the Noh theater is, at any time to a full house. However, the young people interested in performance is small, it seems to be certainly.
Than "officiousness (acoustic guitar)." Officiousness (Yamashina IyamigiEmon) a scene shooting and Seiichiro Tsujii that the poaching
■ performances Mr. Alessio was Ferris
"Cerulean Tower Noh theater regularly ability October performances - Kanze -"(October 18, 2008)
Kyogen "Ryohasu (Roren)"Host is at someone's feet itinerant priest priest shaved his head and decide until the Buddhist name of "Ryohasu". However, furious that the return home the wife was ordained without consultation. When confronted was host to excuse to have been tempted to itinerant priest, the itinerant priest directed the brunt of the anger end up being chased from his wife -.
Noh "officiousness (acoustic guitar)."Itinerant priest towards the Ise Shrine, cupidity encounters an old man in Ura. And listen to the story, cupidity but Ura was a sanctuary in the hunting ground for obtaining a fish ready to Ise Shrine, often hunter named to the officiousness poaching is caught, that he was sunk as a public flogging. From this legend, superimposing the evil is said to have come to be referred to as a "greed".
