Shibuya culture PROJECT

9 By now, the 2008-09 year-end and New Year there were many thing about the holidays, followed by sunny days, would not be the people who went out there were many.
Looking back at the weekend movie box office rankings in 2009 the first week, was of the shining in the first place, was left one that was standing on the earth SF animation that depicts the 'Disposal robot' "WALL · E / Wally" . This time, while exploring the charm of this state-of-the-art CG animation of Pixar production, I want to think about history, it has played the role in the background of the medium of animation.

Shibuhigashi ShinetawaIn in screening"WALL · E / Wally", The latest work of Andrew Stanton director. Pixar Animation Studios, led by Stanton coach, winning also in the Academy Award Best Animated Feature Film award at the "Finding Nemo", up-and-coming that were divided to draw up a representation of the "water" which has been difficult it to the aquarium / deep sea / shallow water it is a CG animation? tion production company.
In particular I want to focus in the CG of this work, robot depiction.
In this time of the robot, not been incorporated to draw a "mouth",That robot who is a hero, I do not speak a word (almost). In this work the first half, only one person in the robot Wally to continue to process the earth of garbage everyday is like depicted in elaborate movement as silent movie.
また、言葉にできない感情の動きを映像とともに表現するのが、ロボット達の機械音。サウンド・デザインは、『スター・ウォーズ』のR2-D2をはじめ『インディ・ジョーンズ』『エイリアン』を手がけたベン・バートだ。 言葉ではなく、動きと音で見事な情感を紡ぎだす『WALL・E／ウォーリー』。 ピクサーが伝えるCGアニメの最先端を是非肌で感じてみてほしい。
But the world of contemporary animation unfolds the Neverending Battle of the evolution of the deepening and technology of the imagination,Tokyo Metropolitan Museum of PhotographyThe exhibition reminds us of the origin of the expression technique of such anime? Tion"Imagination vision and the journey of more than a perception."There's being held.
The venue, a picture drawn on a glass plate by an oil lamp as a light source, Projects through the lens and the "Magic Lantern", a disc that rotates, on the disc when viewed in a narrow slit over that love in front of the black board of the picture such as "Helio cine graph" that appear to move, with the use of the visual mechanism, historical equipment and materials the video appeared a number that has been realized the visualization of the virtual image.
In addition, side-by-side in their classic work, contemporary artists has been produced to give a hint at the time of the video equipment, Naohiro Ukawa, Hajime Chikamori ++ Hisaosame Kyoko also bought titles featuring Watanabe Mizuki et al exhibition. Primitive joy of the moment the imagination of the world are joining the virtual image, comes through to now throughout the ages.
In the Czech Republic, which has a history of puppet theater has been playing the role of social satire and systems accusation, as an expression to replace the puppet theater, animation? Tion have undergone its own development.
Documentary to tell the Czech animation history that has evolved in the form of the lapse of the doll (puppet) rather than the plane paintings,Euro SpaceIn in public"Masters of the Czech puppet animation"It is.
This work, first there and animation writer Jiří Trnka was also a cartoon studio responsible for the "trick Brothers" after the war, the Czech Republic of Melies (※ France SFX of the founder) and such as Karel Zeman, which was described, the world of animation convey the success of the masters who remain in history in the testimony of the parties. In addition, now also working to Yang Shu bank Meier, also the video of the coaches of Japan unpublished works and in the works, such as Jiří Barta public. Even while you are at the mercy of the era, and has a work to tell the secrets of the Czech animation that has been developed in the high technology and superior imagination of force.

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