Shibuya culture project

More fun Shibuya! People who work, learn people, play information site for people

★ "two people of Jodorowsky love of crystal" Exhibition
 (〜9/21)@アツコバルー★

http://l-amusee.com/atsukobarouh / schedule / 2014 /0717.php

Hodorofusuki couple exhibition, was finally beginning. . .

"People are not one person ,,,".

Jodorowsky director is impressive words that originated at the time of visit to Japan.

His parents, grandparents received scratches and pain, suffering, but also Zui live in their body now. . . It that we'll be rescued by its own tarot reading of "Psycho Magic". That has been subjected to the reading in itself is this "dance of reality".
His movie is not something special "movie" is told to self-reliance. Viewer of life and is deeply involved in work for the way of life. To see this movie, it is to look back the life of the viewer's own talk, we thing to talk about. It can be thought of as a rare work group in that sense, but what's the very definition of "cult". This movie is for the Hodofan, it also said that the work to settle in their own way of life.

自分の肉体の中に先祖の様々な霊魂がいまも生きづいている。 先祖から子孫、それを継承していくことが、「愛」だと定義するならば、この夫婦の展覧会はまさにその「愛」の時間と行為の結晶。ふたりの共有時間、共同作業が紙上に展開された痕跡とも言えます。 その塗られたばかりの水彩絵の具は紙に染み込み、水分だけは次第に乾いていき、絵の具のみが紙上に遺されていきます。。。まるで砂漠に遺された塩や鉱物です。

The crystallized "picture" the thing is whether you'll not say that traces itself of joint time of "love".

In 1989 Jodorowsky came to Japan at the time of Japan screening of "Santa Sangre". Also in the cylinder of the basement of the Shibuya Cinema Rise and stiff his sign now.
This time Japan is unprecedented of groundnut Krumlov ski boom.
2014年の夏、渋谷一帯はホドロフスキーに彩られます。9/21までアツコバルーでは展示は続きます。シネマライズの89年のサインと同様に、この夏にホドロフスキーの作品に触れること、手に入れることはとても感慨深い経験なのです。。。   
Is shaped gray in your price easy to get has been sold of 40,000 yen to 80,000 yen. I also I bought one. . .

Vivienne Sato (non-architect)

With a non-architect, artist, Doraakukuin, illustrator, writer, the party ist ,,, and a variety of face. Ride to Tokyo with its own philosophy and aesthetics. Its disruptive, fragmentary words and deeds have won the consistency in Tokyo. . . Nanchatte.

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