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★会田誠×駕籠真太郎×内山紗千佳  
 ×ヴィヴィアン佐藤×山崎春美★

Coming-of-age ceremony night.
"The goat, hear?" In the event "new connection there be-Amatoria vol.2 ~ intends anti-social type ⚫︎ this biology -" have been made.

イベント最後に、会田誠さんと駕籠真太郎さんによる平面絵画と、その後に内山紗千佳さんによるパフォーマンスが行われました。 

Actually it became a pretty interesting work.

In a piece of cloth on, and two of the plane painting depicting a view for excretion from the anus, performance paintings excreted from the anus to inject Then paint in the enema.
All dimensions of performance works by iconography painting and action by the plane is different, but the meaning content equivalent act, waged by the time difference on the same plane, was overlap. (But as it were, and also the act of drawing a painting, you none other than the excretion act of a kind that Hiridasu something invisible in the body outside of the brain, but ,,, sentence is also the same.) Visual rather than transparency,'s the Colin Rowe manner "semantic transparency" is there appeared.

I mentioned the place to be some care.

First, the fact that depicted in the fabric without being drawn on paper. ( "Wrap around" phenomenon of "fluttering" is likely to occur than paper, it is more spatial, repetitive in terms difficult folds month.)
It reminds the Shroud of Magdalene of Christ. .

What specific substance, such as Christ's body and face is not has been the projection, drawing specific figure can be considered also as the prophecy of the actions to be carried out after, was excreted from the anus paint (red food coloring ???) It is blanketing arbitrary ideological paintings (graffiti) in a non-arbitrary action. .
Two works of Figurative is what was Utsushito' the model on the imagination. Presence (not Christ) that was not the model to draw the line drawing, action painting by paint from the location where the original material from the top that is excreted. There is also in the excretion act, but is also a birth metaphor.
Born two paintings on the plane, that on the originally liquid release rather than the individual that stool. Abortion and this is possibly. Or you might sight like a miracle.

(Might have become the icing on the cake, but if you projection or something some people Taku of the last of the last to Uchiyama's body, That's Magdalene, such as the temporal reverse rotational of the Shroud of It became a work. we can not be seen only as a reverse rotation all the history from the end.)

And sweep away thing.
Flood and catastrophe of this kind is, of human creative activity, is to crush all of life and civilization. Modern city, which is a nuclear power and plans will take also a metaphor to be crushed by the disaster and tsunami.

In addition, the toilet wall.
Graffiti and, excretion act of admiring it. A kind of space, which is the private yet public. This is a backroom theater.
A little, what Shuji Terayama manner?
That stairwell is that moment, is not turned into a huge toilet cubicle. . It is exactly the same in that the upper part is released. And, a huge private room, contrary to our reduction, also will be to dwarf of, nothing but that the whole that live house was rectum of, we all human beings who were in that space was feces of!

This event will raise the curtain in the "Amatori Oh song" Ms. Harumi Yamazaki every time.
Mr. of convulsions and the singing voice, such as squeezing, have led to the later of excretion performance, events behind closed doors private room of the time zone itself is one of the toilet of the event.
Enter the private room, lower the underwear, convulsions and, pondering watching a graffiti of the toilet, and emissions, raising the underwear, and after the toilet innocently.
This event participation of itself does not have to say it is a metaphor of plus act of use in the toilet together.

The audience and staff who event has turned into a stool that was after the end of the venue, is why were being excreted in the evening of Daikanyama.

amen~.

This event continues still. . .

Uchiyama Miss excretion painting and closely resembles that what my wig! ! !
Oh, how the world is wonderful. . .

Vivienne Sato (non-architect)

With a non-architect, artist, Doraakukuin, illustrator, writer, the party ist ,,, and a variety of face. Ride to Tokyo with its own philosophy and aesthetics. Its disruptive, fragmentary words and deeds have won the consistency in Tokyo. . . Nanchatte.

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